Brunel Sébastien | Artista contemporáneo: Obras & Biografía
Brunel Sébastien
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My painting addresses the hidden part of man : sensual without being erotic, it questions our own relationship to nudity and intimacy.
Apasionado de las artes gráficas, Sébastien ingresó en la Escuela Émile Cohl de Lyon para estudiar ilustración y diseño gráfico. Los cursos a los que asistió con modelos en vivo durante su formación fueron una revelación para el joven artista, y decidió pintar desnudos. En 1996, Sébastien se graduó con honores. Trabajó como diseñador gráfico en estudios de videojuegos de Francia e Inglaterra durante dos años antes de lanzarse por su cuenta. Creó un estudio con tres amigos y colaboró en varios proyectos para diferentes clientes (Editions Milan, Nuclide Games...) Su carrera como artista se concretó en 1999, cuando se inscribió en la Maison des Artistes. Comenzó a exponer en cafés, librerías, bares y teatros de la región de Lyon. Sébastien imparte cursos en torno a modelos vivos desde 2011. Ahora vive y trabaja en su ciudad natal.
The naked body of the model is for him an inexhaustible source of inspiration. His artistic influences go back to the cave paintings of Chauvet. Breaking with the academic nude, Sébastien explores the body through a variety of angles. He models his approach after his favourite artists: Egon Schiele, Kees Van Dongen or Jules Pascin.
The artist works with ink and brush on a pencil base. He adds shape by enhancing the figures with chalk and watercolour. He creates movement both through lines and the vibrant use of colour. He uses watercolours to "animate" the body, leaving white areas and by playing with nuances of the same tone. The light and shadow thus created bring life to the flesh of his models. His nudes intertwine and curve, revealing twisting muscles and the suppleness of the skin.
The artist works with ink and brush on a pencil base. He adds shape by enhancing the figures with chalk and watercolour. He creates movement both through lines and the vibrant use of colour. He uses watercolours to "animate" the body, leaving white areas and by playing with nuances of the same tone. The light and shadow thus created bring life to the flesh of his models. His nudes intertwine and curve, revealing twisting muscles and the suppleness of the skin.
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