"Constructive destruction." Gérard heard this term recently used to describe his work and has to agree: "It suits me perfectly." The artist admits that he needs material to create. In local carpenter shops he salvages strips or hardboard which he transforms in his studio in Maulais near Parthenay. Painted or natural, and with indeterminate widths, these industrial materials, manufactured to precise standards, are destroyed and ripped up for his creations. At first the work is created by chance, without any certainty: "In principle, I do not lik…
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