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The French artist Virginie Mézan de Malartic qualifies her creation as “painting of beings” as the contrasts modelled on man occupy an important position. Exploring natural or artificial light, playing with areas of shadow and light, allows the artist to update a panel of emotions and feelings. Fly-on-the-wall, the characters that make up her paintings find themselves frozen in a moment, as if suspended outside of time, interrupting their course and leaving a place for reflection and introspection. The oil paint exclusively applied with a knife…
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