#2 The Two Fridas Kahlo
"The Two Fridas" or "Double Self-Portrait" is a painting made in 1939, following her separation from her husband Diego Rivera.
Kahlo lived very badly this separation which plunged her into a profound disarray.
In this painting Frida Kahlo represents two Fridas who are holding hands, but who do not have the same attitude or the same physical appearance.
On the left, the artist is elegantly dressed in a traditional white dress, similar to a wedding dress.
She is wearing makeup and is standing up straight. On her chest, we can see her heart, exposed out of her body by a tear, with two veins visible.
The dress is stained with blood from a vein.
On the right, the artist is dressed in a Tehuana, a traditional Mexican dress.
Her face is colored, without any makeup.
She adopts a masculine look by her position (legs spread) and with a visible mustache.
Her heart is intact. An artery connects the two Fridas, where the one on the left is kept alive by the one on the right.
This painting is an attempt to reconnect and reconcile the artist with herself following her breakup.
#3 Self-Portrait on the Mexican-American Border, 1932
This 1932 painting is a must-see in the work of the Mexican artist.
In this beautiful painting Frida Kahlo represents her personal life and experiences.
In 1930, Frida followed her husband to the United States, to San Francisco, to paint murals.
Unlike him, she did not appreciate the American atmosphere and way of life, whose habits and customs were too far removed from her culture.
This painting represents the artist's disgust and weariness for the United States. She represents herself between the two countries, Mexico on the left and the United States on the right. On the side of the United States, we see the Ford factory in River Rouge, symbol of industrialization, the American flag in the middle of the smoke of the factories, buildings and symbols of technical and modern evolution.
The earth seems barren, dried up and the roots of the plants are replaced by electric cables.
On the left, the artist represents Mexico, his native country. Nature is flourishing and symbols of ancient Mexico, ruins and Aztec objects can be seen. The artist stands between the two worlds and holds a Mexican flag, to signify his strong attachment to his roots.
#4 The Broken Column, 1944
The painting "The Broken Column" was done in 1944. This self-portrait shows the artist in front, standing in the middle of an arid and barren landscape, his bare chest held tight by a white corset. The impression is disturbing and the painting is hard to look at.
The artist's body is strewn with numerous nails, opened in two to reveal a spine made of steel and broken in several places. Large tears flow from Kahlo's eyes, as her gaze is fixed on the viewer.

Among Kahlo's many self-portraits, this one is particularly strong and moving.
The pain that emanates from the work is palpable, while at the same time one discerns the strength and pride that allow the artist to hold on.
This work echoes the bus accident that occurred in 1925, when the artist was only 18 years old, and which left him with serious after-effects for the rest of his life. Although the work is full of symbols, Kahlo defends herself from being a surrealist: she does not paint dreams, she paints her life and her personal experiences, those of a suffering and broken woman who can only fight to live.